Opera North’s version of Britten’s A Midsummer Night’s Dream at the Lowry Theatre turns Shakespeare’s comedy on its head. The set stands out with its plain white look, plastic sheets hanging down, and balloons scattered about. This setup brings to mind a clean futuristic world that feels a bit like A Clockwork Orange. The fairies add to this odd vibe with their matching hairstyles, which call to mind the creepy kids from Village of the Damned. This unusual approach to the stage creates an uneasy feeling that clashes with the funny parts of the play, shining a light on the story’s darker side.
The opera singers deliver top-notch performances across the board. The four lovers—Clara Harris playing Helena, Siân Griffiths as Hermia, Peter Kirk in the role of Lysander, and James Newby portraying Demetrius—give a powerful show. Their voices blend in the quartet, capturing the bewilderment and longing of their magically-induced love. A standout moment occurs when Demetrius under Oberon’s spell falls for Helena. This scene shows off both the singers’ vocal skills and their gripping dramatic interplay.
James Laing’s Oberon and Daisy Brown’s Tytania brought an eerie beauty to their parts. Their voices filled the theatre during the famous “Now until the break of day,” putting the audience under a spell despite the bare setting. Henry Waddington as Bottom balanced the humour and sadness of his character’s change, making people laugh and feel for him as he bashed about through the woods.
But Daniel Abetson as Puck steals the show. His physical skills and stage presence seizes you, giving the role an exciting energy. Whether he’s in the spotlight or playing a smaller part, Abetson draws your eye with his playful charm and perfect comic timing. He brings Puck’s mischievous spirit to life, winning over the audience.
The sparse stage setup may not appeal to everyone, but it sure leaves a lasting impression and gets you thinking about this classic tale. The Mechanicals’ take on “Pyramus and Thisbe,” with its over-the-top acting and slapstick comedy, adds some much-needed laughs. The final group song, with its otherworldly blend of voices, wraps up the show, leaving you with a touch of wonder despite the unusual backdrop. This version isn’t afraid to shake things up and gives us a new look at Shakespeare’s fan-favourite play. If you’re up for a bold new spin on A Midsummer Night’s Dream, you should check out Opera North’s show. And keep your eyes peeled for Daniel Abetson—this guy’s going places.
The Opera was one night show but part of Opera North at the Lowry Theatre, Link for more information.
By James
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